1 00:00:07,140 --> 00:00:08,320 PREVIOUSLY ON "SWITCHED AT BIRTH"... 2 00:00:08,320 --> 00:00:10,030 - ARE YOU OKAY? - THIS IS YOUR FAULT. 3 00:00:10,030 --> 00:00:12,490 HE DIED OF AN ANEURYSM. 4 00:00:12,490 --> 00:00:14,110 WHY ARE YOU DEFENDING HER? 5 00:00:14,110 --> 00:00:15,490 Bay: IT'S HEREDITARY. 6 00:00:15,490 --> 00:00:16,740 Sebastian: THAT DOESN'T NECESSARILY MEAN-- 7 00:00:16,740 --> 00:00:18,330 THAT'S THERE'S A TICKING TIME BOMB 8 00:00:18,330 --> 00:00:20,210 IN MY BRAIN THAT COULD GO OFF AT ANY MOMENT? 9 00:00:27,160 --> 00:00:29,130 DO YOU KNOW A GUY NAMED EMMETT BLEDSOE? 10 00:00:29,130 --> 00:00:31,010 - NO. - HE THINKS HE'S IN A RELATIONSHIP WITH YOU 11 00:00:31,010 --> 00:00:33,510 AND THAT YOUR NAME IS MANDY STARLING. 12 00:00:33,510 --> 00:00:35,800 DAPHNE, THIS IS WES. 13 00:00:35,800 --> 00:00:37,550 WE'RE JUST BREAKING GROUND ON THE EAST RIVERSIDE PROJECT. 14 00:00:37,550 --> 00:00:39,440 LOOK, IF YOU'RE REALLY PISSED AT YOUR MA 15 00:00:39,440 --> 00:00:40,940 AND YOU NEED HER TO KNOW, THEN YOU GOTTA SHOW HER. 16 00:00:40,940 --> 00:00:43,980 Daphne: THERE'S A GROUNDBREAKING CEREMONY TOMORROW. 17 00:00:45,100 --> 00:00:46,100 BAD GIRL, HUH? 18 00:00:54,150 --> 00:00:56,780 John: SO YOU GOT THE FULL PAYOUT ON ANGELO'S INSURANCE, HUH? 19 00:00:56,780 --> 00:00:58,960 YOU DON'T THINK I SHOULD HAVE? 20 00:00:58,960 --> 00:01:00,000 OH, I'M NOT SAYING THAT AT ALL. 21 00:01:00,000 --> 00:01:01,910 YOU DESERVE EVERY PENNY. 22 00:01:01,910 --> 00:01:03,960 I JUST, YOU KNOW, FIGURED THEY'D TRY 23 00:01:03,960 --> 00:01:07,080 SOME KIND OF PRE-EXISTING- CONDITION NONSENSE. 24 00:01:07,080 --> 00:01:08,380 THEY DIDN'T. 25 00:01:08,380 --> 00:01:10,260 NOW I JUST HAVE TO FIGURE OUT WHAT TO DO WITH IT. 26 00:01:10,260 --> 00:01:11,470 HMM. 27 00:01:11,470 --> 00:01:14,840 SO I'M THINKING... COLLEGE FUND, INVESTMENTS? 28 00:01:14,840 --> 00:01:16,670 WELL, I'LL PUT YOU IN TOUCH WITH MY FINANCIAL GUY, 29 00:01:16,670 --> 00:01:17,970 HE CAN RUN YOU THROUGH SOME OPTIONS. 30 00:01:17,970 --> 00:01:20,100 - THANKS. - YEAH. 31 00:01:20,100 --> 00:01:22,270 I HOPE BAY NEEDS A COLLEGE FUND. 32 00:01:22,270 --> 00:01:24,140 I THINK SHE'LL TRY FOR ART SCHOOL AGAIN. 33 00:01:24,140 --> 00:01:25,020 - SHE JUST NEEDS SOME TIME. - ( door opens ) 34 00:01:25,020 --> 00:01:26,640 HMM. 35 00:01:26,640 --> 00:01:29,990 WELL, WE GOT ONE ON THE RIGHT PATH. ( chuckles ) 36 00:01:29,990 --> 00:01:32,030 I THOUGHT YOU WERE GOING OUT FOR A RUN. 37 00:01:32,030 --> 00:01:33,940 I DIDN'T FEEL LIKE IT. 38 00:01:33,940 --> 00:01:35,730 UM, I SHOULD GET GOING. 39 00:01:37,230 --> 00:01:39,660 I WILL-- I WILL CALL MY FINANCIAL GUY 40 00:01:39,660 --> 00:01:40,870 LATER TODAY, OKAY? 41 00:01:40,870 --> 00:01:42,120 WHAT'S GOING ON? 42 00:01:42,120 --> 00:01:46,000 UM, ANGELO'S LIFE INSURANCE POLICY CAME THROUGH. 43 00:01:47,830 --> 00:01:49,010 HOW MUCH? 44 00:01:49,010 --> 00:01:50,010 ONE MILLION. 45 00:01:50,010 --> 00:01:51,840 AND YOU'RE TAKING IT? 46 00:01:51,840 --> 00:01:53,340 John: WAIT, WAIT, SWEETIE, THAT'S WHAT IT'S FOR. 47 00:01:53,340 --> 00:01:56,010 TO TAKE CARE OF YOU, AND BAY, AND REGINA. 48 00:01:56,010 --> 00:01:58,050 THERE'S A LOT TO THINK THROUGH. 49 00:01:58,050 --> 00:01:59,260 THANKS SO MUCH FOR YOUR HELP. 50 00:01:59,260 --> 00:02:00,560 NO PROBLEM, ANY TIME. 51 00:02:00,560 --> 00:02:01,680 OKAY. 52 00:02:06,140 --> 00:02:08,440 LIKE JOHN SAID, 53 00:02:08,440 --> 00:02:10,270 IT'S FOR ALL OF US. 54 00:02:10,270 --> 00:02:13,070 I DON'T WANT IT. IT'S BLOOD MONEY. 55 00:02:13,070 --> 00:02:14,940 HOW IS IT BLOOD MONEY? 56 00:02:14,940 --> 00:02:17,270 ANGELO IS DEAD BECAUSE OF YOU 57 00:02:17,270 --> 00:02:20,040 AND NOW YOU GET A MILLION DOLLARS? 58 00:02:24,160 --> 00:02:26,950 - ( door opens, closes ) - ( sighs ) 59 00:02:30,000 --> 00:02:32,000 ( phone clicking ) 60 00:02:39,010 --> 00:02:41,930 Bay: SO BASICALLY, THIS COULD KILL ME. 61 00:02:41,930 --> 00:02:44,470 WHERE THERE'S A FAMILY HISTORY OF ANEURYSMS, 62 00:02:44,470 --> 00:02:46,060 THERE IS A HIGHER RISK FACTOR. 63 00:02:46,060 --> 00:02:49,020 BUT IT'S BY NO MEANS A GUARANTEE... 64 00:02:49,020 --> 00:02:50,310 ESPECIALLY AT YOUR AGE. 65 00:02:50,310 --> 00:02:52,110 EVEN THOUGH MY AUNT DIED OF ONE 66 00:02:52,110 --> 00:02:53,730 AT EXACTLY MY AGE? 67 00:02:53,730 --> 00:02:56,810 THAT'S WHY IT'S A GOOD THING WE'RE GETTING THE M.R.I. TODAY. 68 00:02:56,810 --> 00:03:00,240 SO, UH... 69 00:03:00,240 --> 00:03:04,160 IF YOU FIND SOMETHING, THEN WHAT DO WE DO? 70 00:03:04,160 --> 00:03:06,620 THOSE ARE THINGS I CAN DISCUSS WITH YOU AND YOUR FAMILY 71 00:03:06,620 --> 00:03:07,870 WHEN WE GET THE RESULTS. 72 00:03:07,870 --> 00:03:10,000 OKAY. 73 00:03:10,000 --> 00:03:12,500 YOU HAVE SOMEONE HERE WITH YOU TODAY? 74 00:03:12,500 --> 00:03:13,960 I KIND OF JUST WANT TO KEEP THIS 75 00:03:13,960 --> 00:03:15,590 OFF THE RADAR FOR RIGHT NOW. 76 00:03:15,590 --> 00:03:17,330 THAT'S NOT WHAT I WOULD RECOMMEND. 77 00:03:17,330 --> 00:03:19,180 BUT IT'S LEGAL. 78 00:03:19,180 --> 00:03:21,970 SINCE I'M 18, I HAVE THE RIGHT TO CONFIDENTIAL TREATMENT. 79 00:03:21,970 --> 00:03:25,470 BAY, I KNOW THIS IS SCARY. 80 00:03:25,470 --> 00:03:27,600 BUT YOU WILL DO BETTER WITH A SUPPORT SYSTEM. 81 00:03:29,190 --> 00:03:32,110 THE PROBLEM IS MY SUPPORT SYSTEM 82 00:03:32,110 --> 00:03:33,520 JUST WENT THROUGH HELL WITH ANGELO, 83 00:03:33,520 --> 00:03:35,060 SO UNTIL WE KNOW FOR SURE THAT THIS IS 84 00:03:35,060 --> 00:03:37,110 SOMETHING TO WORRY ABOUT... 85 00:03:37,110 --> 00:03:40,320 I WOULD REALLY RATHER NOT PUT THEM THROUGH ANYTHING ELSE RIGHT NOW. 86 00:03:40,320 --> 00:03:42,820 OKAY. 87 00:03:42,820 --> 00:03:45,780 YOU READY FOR THE SCAN? 88 00:03:45,780 --> 00:03:48,120 AS READY AS I'LL EVER BE. 89 00:03:48,120 --> 00:03:50,130 ( theme music playing ) 90 00:03:57,460 --> 00:03:59,930 NO, I UNDERSTAND. ABSOLUTELY. 91 00:03:59,930 --> 00:04:01,800 GUYS, I NEED TO JUMP OFF. 92 00:04:02,970 --> 00:04:03,970 YEAH, OKAY, SEND ME THE NOTES. 93 00:04:03,970 --> 00:04:05,050 - THANKS. - ( beeps ) 94 00:04:05,050 --> 00:04:06,140 ( sighs ) SOUNDS LIKE YOU'RE BACK 95 00:04:06,140 --> 00:04:07,430 IN THE SWING OF THINGS. 96 00:04:07,430 --> 00:04:08,890 YEAH, I DON'T KNOW WHY 97 00:04:08,890 --> 00:04:10,150 WES PUTS ME ON CALLS 98 00:04:10,150 --> 00:04:11,270 WITH CONTRACTORS. I'M LIKE, 99 00:04:11,270 --> 00:04:13,150 "GUYS, I DO INTERIORS. 100 00:04:13,150 --> 00:04:14,230 CALL ME WHEN IT'S DONE." 101 00:04:14,230 --> 00:04:16,190 WELL, IT'S NICE HE WANTS YOUR INPUT. 102 00:04:16,190 --> 00:04:17,810 - YEAH... - GUESS WHAT?! 103 00:04:17,810 --> 00:04:19,610 I GOT INVITED TO GO TO NEW YORK TOMORROW. 104 00:04:19,610 --> 00:04:21,360 MY PUBLISHER IS THROWING A PARTY 105 00:04:21,360 --> 00:04:22,530 FOR ALL THE NEW RELEASES. 106 00:04:22,530 --> 00:04:24,160 HERE IS THE FUN PART-- 107 00:04:24,160 --> 00:04:26,200 THEY OFFERED ME A PLUS ONE FOR EVERYTHING-- 108 00:04:26,200 --> 00:04:28,870 FLIGHT, HOTEL, EVERYTHING. 109 00:04:28,870 --> 00:04:31,000 GREAT, I CAN WATER PLANTS 110 00:04:31,000 --> 00:04:32,330 OR DO WHATEVER YOU NEED. 111 00:04:32,330 --> 00:04:35,040 ACTUALLY, I WAS HOPING THAT YOU WOULD COME WITH ME. 112 00:04:35,040 --> 00:04:37,040 JOHN HATES NEW YORK AND... 113 00:04:37,040 --> 00:04:39,090 TO BE HONEST, I'M A LITTLE NERVOUS. 114 00:04:39,090 --> 00:04:41,380 THERE'S GONNA BE ALL THESE FANCY WRITERS AND... 115 00:04:41,380 --> 00:04:43,050 I COULD USE SOME COMPANY. 116 00:04:43,050 --> 00:04:45,510 ( sighs ) THAT'S REALLY SWEET OF YOU 117 00:04:45,510 --> 00:04:48,480 BUT I'M STILL KIND OF IN THE THICK OF IT. 118 00:04:48,480 --> 00:04:50,020 IT'S ONE DAY. 119 00:04:50,020 --> 00:04:50,930 ONE. 120 00:04:50,930 --> 00:04:52,140 PLEASE. 121 00:04:56,690 --> 00:04:59,320 EXCELLENT! I'LL EMAIL YOU THE INFO. 122 00:05:23,510 --> 00:05:24,920 ( door closes ) 123 00:07:18,160 --> 00:07:19,750 YEAH, THEY SHOULD JUST LAY OFF. 124 00:07:19,750 --> 00:07:21,170 WE'RE SENIORS AND WE'RE ALMOST OUT OF HERE. 125 00:07:26,000 --> 00:07:27,670 - WHAT WAS THAT? - OH... 126 00:07:27,670 --> 00:07:30,720 ALL THE SENIORS AT HEYWARD ARE SKIPPING SCHOOL TOMORROW. 127 00:07:30,720 --> 00:07:32,510 - WE SHOULD DO THAT, TOO. - NO, NOT ME. 128 00:07:32,510 --> 00:07:33,930 OH, COME ON, YOU'RE NOT GONNA GET IN TROUBLE 129 00:07:33,930 --> 00:07:35,640 IF THE WHOLE CLASS DOES IT TOGETHER. 130 00:07:39,560 --> 00:07:41,520 EWW, I HATE WATER PARKS. 131 00:07:41,520 --> 00:07:43,520 THEY'RE JUST... GERM SOUP. 132 00:07:43,520 --> 00:07:46,360 MMM, I THINK HAWKEYE RANCH JUST OPENED FOR THE SUMMER. 133 00:07:46,360 --> 00:07:47,360 OOH... 134 00:07:53,660 --> 00:07:54,950 GUESS WHERE YOU'RE GOING TOMORROW? 135 00:07:54,950 --> 00:07:56,820 ( sighs ) 136 00:08:00,170 --> 00:08:02,830 I HAD A REALLY WEIRD MORNING. 137 00:08:04,620 --> 00:08:05,830 OKAY, WELL YOU FIRST. 138 00:08:10,010 --> 00:08:11,430 WAIT, WHAT? 139 00:08:11,430 --> 00:08:12,890 I DIDN'T EVEN KNOW YOU APPLIED. 140 00:08:18,810 --> 00:08:20,690 EMMETT, THAT'S AMAZING. 141 00:08:26,770 --> 00:08:28,140 WHY WOULDN'T YOU GO? 142 00:08:33,950 --> 00:08:37,240 YOU APPLIED. YOU OBVIOUSLY WANT TO. 143 00:08:40,080 --> 00:08:42,540 OH, UH, WELL... 144 00:08:51,340 --> 00:08:54,970 YOU KNOW WHAT, I THINK THAT IS EXACTLY WHAT I NEED RIGHT NOW. 145 00:09:19,330 --> 00:09:21,330 ( copier whirring ) 146 00:10:42,990 --> 00:10:44,120 ♪ OOH OOH ♪ 147 00:10:45,740 --> 00:10:46,830 ♪ OOH OOH ♪ 148 00:10:46,830 --> 00:10:48,040 ♪ COME ON COME ON ♪ 149 00:10:48,040 --> 00:10:49,460 ♪ I LIKE IT LIKE THAT ♪ 150 00:10:49,460 --> 00:10:51,250 ♪ OOH OOH, I LIKE IT LOUD ♪ 151 00:10:51,250 --> 00:10:54,340 ♪ TURN THE RADIO UP UH-UH... ♪ 152 00:10:54,340 --> 00:10:55,790 Sharee: JUST SO EVERYONE KNOWS, 153 00:10:55,790 --> 00:10:57,130 I AM NOT GETTING WET. 154 00:10:57,130 --> 00:10:58,210 ( laughing ) 155 00:10:58,210 --> 00:10:59,600 THAT GOES FOR ME TOO. 156 00:11:01,800 --> 00:11:02,890 YEAH, THAT WILL NOT BE HAPPENING. 157 00:11:06,680 --> 00:11:09,730 RIGHT? MS. SUMMERS CAN SUCK IT. 158 00:11:09,730 --> 00:11:11,860 ♪ I SAID OOH-LA-LA, THAT'S WHAT I LIKE ♪ 159 00:11:11,860 --> 00:11:15,360 ♪ I SAID OOH-LA-LA, THAT'S WHAT I LIKE ♪ 160 00:11:19,370 --> 00:11:22,660 ♪ I SAID OOH-LA-LA THAT'S WHAT I LIKE ♪ 161 00:11:22,660 --> 00:11:24,530 ♪ YEAH COME ON COME ON ♪ 162 00:11:24,530 --> 00:11:26,320 ♪ I LIKE-- I LIKE IT LIKE THAT ♪ 163 00:11:26,320 --> 00:11:28,280 ♪ I SAID OOH-LA-LA ♪ 164 00:11:28,280 --> 00:11:30,880 BEER IS ON ITS WAY. 165 00:11:30,880 --> 00:11:33,590 ( laughs ) 166 00:11:33,590 --> 00:11:37,380 ♪ ALL THE RIDES PULL ME DOWN WHEN I'M HOT ♪ 167 00:11:37,380 --> 00:11:40,890 ♪ READ MY LIPS WHEN I'M TALKING THAT TALK ♪ 168 00:11:40,890 --> 00:11:43,840 ♪ SUGAR COATED WITH A CHERRY ON TOP ♪ 169 00:11:43,840 --> 00:11:45,390 - ♪ I LIKE YOUR CAR ♪ - ♪ Yeah ♪ 170 00:11:45,390 --> 00:11:47,220 - ♪ AND YOUR TATTOOS ♪ - ♪ Uh-huh ♪ 171 00:11:47,220 --> 00:11:48,680 - HEY. - HEY. 172 00:11:48,680 --> 00:11:50,560 ♪ YEAH, I LIKE YOU ♪ 173 00:11:50,560 --> 00:11:51,610 UM... 174 00:11:51,610 --> 00:11:53,480 ♪ OOH OOH. ♪ 175 00:11:56,810 --> 00:11:59,280 IT'S BEEN A WHILE SINCE I'VE BEEN HERE. 176 00:11:59,280 --> 00:12:02,450 YEAH, YOU KNOW, SOME KIDS THOUGHT IT'D BE COOL, 177 00:12:02,450 --> 00:12:04,160 BUT IT'S KINDA LAME. 178 00:12:04,160 --> 00:12:05,570 WELL, THIS SHOULD HELP. 179 00:12:09,000 --> 00:12:10,710 AWESOME, THANKS. 180 00:12:10,710 --> 00:12:12,580 YOU GOT IT. 181 00:12:15,710 --> 00:12:17,750 HE'S ASKING HOW WE KNOW EACH OTHER. 182 00:12:17,750 --> 00:12:20,180 FROM EAST RIVERSIDE. 183 00:12:20,180 --> 00:12:21,760 DO YOU GUYS WANT SOME BEERS? 184 00:12:21,760 --> 00:12:23,680 YOU BETTER BE COOL WITH THAT. 185 00:12:23,680 --> 00:12:25,010 YOU DON'T WANT US GETTING KICKED OUT. 186 00:12:31,730 --> 00:12:34,650 UM, DO YOU WANT TO GO RIDE THE BOATS? 187 00:12:34,650 --> 00:12:36,350 UM, MAYBE LATER. 188 00:12:36,350 --> 00:12:38,060 I THINK WE'RE GONNA FIND A PLACE TO JUST HANG. 189 00:12:38,060 --> 00:12:41,110 CAN I TALK TO YOU FOR A SECOND? GREAT, THANKS. 190 00:12:43,320 --> 00:12:45,700 IS THAT WHO I THINK IT IS? 191 00:12:45,700 --> 00:12:48,110 I DON'T KNOW. WHO DO YOU THINK IT IS? 192 00:12:48,110 --> 00:12:50,290 THE GUY WHO THREW A BRICK THROUGH REGINA'S WINDOW 193 00:12:50,290 --> 00:12:53,120 AND THEN CALLED HER A WHORE WHEN WE ASKED HIM ABOUT IT. 194 00:12:54,910 --> 00:12:56,750 I INVITED HIM. HE'S COOL. 195 00:12:56,750 --> 00:12:59,220 "HE'S COOL"? 196 00:12:59,220 --> 00:13:02,380 TURNS OUT WE HAVE SOME THINGS IN COMMON. 197 00:13:02,380 --> 00:13:05,590 SERIOUSLY, THIS IS YOUR NEW WAY TO PISS OFF REGINA? 198 00:13:05,590 --> 00:13:08,930 HANGING OUT WITH THE THUG WHO DESTROYED HER PROPERTY? 199 00:13:08,930 --> 00:13:10,430 OH, VERY MATURE. 200 00:13:10,430 --> 00:13:11,690 HE'S NOT A THUG. 201 00:13:11,690 --> 00:13:14,230 COULDN'T YOU TRY TO BE A LITTLE LESS OBVIOUS? 202 00:13:14,230 --> 00:13:16,730 YOU HAVE NO IDEA WHAT YOU'RE TALKING ABOUT. 203 00:13:21,990 --> 00:13:23,240 ( idle chatter ) 204 00:13:23,240 --> 00:13:25,200 HERE WE GO. 205 00:13:25,200 --> 00:13:26,820 HERE IT IS. 206 00:13:26,820 --> 00:13:28,780 WHAT DO YOU THINK? 207 00:13:28,780 --> 00:13:32,330 - ( Kathryn gasps ) - Regina: OOH, LOOK AT YOU. 208 00:13:32,330 --> 00:13:35,540 Lydia: OH, I ENVY YOU TWO, MAKING A GIRLS WEEKEND OF IT. 209 00:13:35,540 --> 00:13:37,540 Kathryn: OH, THANK YOU SO MUCH FOR INCLUDING ME. 210 00:13:37,540 --> 00:13:39,300 OH, OF COURSE. I LOVE SEEING 211 00:13:39,300 --> 00:13:40,630 THE EXPENSE ACCOUNT PUT TO GOOD USE. 212 00:13:40,630 --> 00:13:42,840 KATHRYN, NICE DRESS. 213 00:13:42,840 --> 00:13:44,920 OH, I WAS JUST TRYING NOT TO FEEL 214 00:13:44,920 --> 00:13:46,590 LIKE THE OUT-OF-TOWN AUNT. 215 00:13:46,590 --> 00:13:49,230 OH, PLEASE. NO ONE HERE BITES... 216 00:13:49,230 --> 00:13:52,020 EXCEPT POSSIBLY ANDREA ASKOWITZ. 217 00:13:52,020 --> 00:13:54,770 ( gasps ) OH, I LOVE HER. 218 00:13:54,770 --> 00:13:57,890 SHE WROTE THIS HILARIOUS MEMOIR ABOUT HER MOTHER 219 00:13:57,890 --> 00:13:58,850 CALLED "BATTLE AXE." 220 00:13:58,850 --> 00:14:00,150 OOH, NO WONDER SHE BITES. 221 00:14:00,150 --> 00:14:02,900 WELL, SHE DID A NEW BIO ON EDITH WHARTON. 222 00:14:02,900 --> 00:14:05,820 AND SHE IS RIGHT OVER THERE. 223 00:14:05,820 --> 00:14:07,780 ( boisterous laughter ) 224 00:14:07,780 --> 00:14:10,580 HER LITTLE ALGONQUIN TABLE. 225 00:14:10,580 --> 00:14:12,040 I CAN TAKE YOU OVER. 226 00:14:12,040 --> 00:14:14,750 I THINK I NEED TO WORK UP THE NERVE FIRST. 227 00:14:14,750 --> 00:14:16,950 ( laughs ) WELL, THAT'S WHAT A BAR IS FOR. 228 00:14:16,950 --> 00:14:19,340 - WHAT CAN I GET YOU? - OH, NOTHING FOR ME, THANKS. 229 00:14:19,340 --> 00:14:20,760 OH. 230 00:14:20,760 --> 00:14:22,170 OH, EXCUSE ME. 231 00:14:22,170 --> 00:14:23,920 ROBIN'S GIVING ME THE RESCUE SIGNAL. 232 00:14:23,920 --> 00:14:25,000 UM... 233 00:14:26,090 --> 00:14:28,170 ROBIN IS HER GIRLFRIEND. 234 00:14:28,170 --> 00:14:29,930 - OH. - OH NO, THANK YOU. 235 00:14:29,930 --> 00:14:32,180 ( sighs ) I AM SO SORRY 236 00:14:32,180 --> 00:14:34,060 THIS IS SUCH A BOOZY EVENT. 237 00:14:34,060 --> 00:14:36,140 WELL, IT IS A BUNCH OF WRITERS. 238 00:14:36,140 --> 00:14:37,680 I'M FINE, 239 00:14:37,680 --> 00:14:40,650 AND IT'S FUN TO SEE YOU IN YOUR ELEMENT. 240 00:14:40,650 --> 00:14:43,820 AH, WELL, I'M NOT SURE I AM. 241 00:14:47,150 --> 00:14:50,030 DEEP FRIED KALE? DOESN'T THAT DEFEAT THE PURPOSE? 242 00:14:54,160 --> 00:14:55,530 ( scoffs ) 243 00:15:01,670 --> 00:15:05,710 UM, MAYBE WE SHOULD TRY THE TACO STAND. 244 00:15:07,960 --> 00:15:11,430 OKAY, WELL, WHY DON'T I HOLD OUR PLACE IN LINE 245 00:15:11,430 --> 00:15:14,760 AND YOU GO GET ME A VEGGIE BURRITO? 246 00:15:28,020 --> 00:15:29,740 HEY, I REMEMBER YOU. 247 00:15:29,740 --> 00:15:32,120 YOU CAME TO SEE ME AT MY SCHOOL. 248 00:15:32,120 --> 00:15:33,700 OH, YEAH, RIGHT. 249 00:15:33,700 --> 00:15:35,330 JENNIFER. YOU WERE ASKING ABOUT THAT THING 250 00:15:35,330 --> 00:15:36,660 WITH MY COUSIN MATTHEW. 251 00:15:36,660 --> 00:15:39,670 OH, YEAH, I CAN'T BELIEVE YOU REMEMBER THAT. 252 00:15:39,670 --> 00:15:42,340 NO, TOTALLY. IT TURNED INTO A HUGE THING. 253 00:15:42,340 --> 00:15:43,790 MY MOM AND MY AUNT GOT IN A BIG FIGHT 254 00:15:43,790 --> 00:15:45,710 AND THEN THEY MADE MATTHEW SHOW US ALL THE STUFF HE WROTE. 255 00:15:45,710 --> 00:15:47,210 IT WAS SO CRAZY. 256 00:15:47,210 --> 00:15:48,750 HE USED ME TO TRICK THAT POOR GUY. 257 00:15:48,750 --> 00:15:52,350 EH, WELL, HE WAS PRETTY CONFUSED I'M SURE. 258 00:15:52,350 --> 00:15:53,760 IT'S SO WEIRD THAT YOU'RE HERE. 259 00:15:53,760 --> 00:15:56,590 - SENIOR DITCH DAY. - OH, COOL, US TOO. 260 00:15:56,590 --> 00:15:57,720 OKAY, WELL I SHOULD PROBABLY GO-- 261 00:15:57,720 --> 00:15:59,060 HEY, IS THAT GUY HERE? 262 00:15:59,060 --> 00:16:00,900 EMMETT? 263 00:16:00,900 --> 00:16:03,810 I... DON'T THINK SO. 264 00:16:03,810 --> 00:16:05,190 ( dejected ) OH, TOO BAD. 265 00:16:05,190 --> 00:16:07,940 I MEAN, I'M SURE IT WAS A TOTAL NIGHTMARE FOR HIM, 266 00:16:07,940 --> 00:16:10,870 BUT HE WAS SO SWEET TO THAT MANDY GIRL. 267 00:16:10,870 --> 00:16:12,700 IT ALMOST MADE ME WISH I WAS HER 268 00:16:12,700 --> 00:16:14,110 AFTER I READ ALL THAT STUFF HE WROTE. 269 00:16:14,110 --> 00:16:15,110 REALLY? 270 00:16:15,110 --> 00:16:17,200 OH MAN, HE LOVED HER, 271 00:16:17,200 --> 00:16:18,660 AND SHE WASN'T EVEN REAL. 272 00:16:18,660 --> 00:16:20,920 IT'S LIKE... TRAGIC. 273 00:16:20,920 --> 00:16:22,920 AFTER I READ THAT STUFF HE WROTE, 274 00:16:22,920 --> 00:16:25,000 I KIND OF DUMPED THIS GUY I WAS SEEING, CHAD, 275 00:16:25,000 --> 00:16:27,080 'CAUSE IT'S LIKE, IF I CAN'T HAVE A CONNECTION LIKE THAT, 276 00:16:27,080 --> 00:16:28,790 THEN WHAT'S THE POINT? YOU KNOW? 277 00:16:28,790 --> 00:16:30,130 RIGHT. 278 00:16:30,130 --> 00:16:32,890 I HOPE HE FINDS SOMEONE THAT DESERVES HIM. 279 00:16:32,890 --> 00:16:35,260 ANYWAY, GOOD TO SEE YOU. 280 00:16:35,260 --> 00:16:36,890 YOU TOO. 281 00:16:36,890 --> 00:16:38,430 CIAO. 282 00:16:51,450 --> 00:16:52,990 ( rock music playing ) 283 00:16:52,990 --> 00:16:54,530 ♪ WHOO ♪ 284 00:17:01,330 --> 00:17:04,500 ♪ THESE PROUD WOMEN THEY'RE TAKING ALL MY TIME ♪ 285 00:17:04,500 --> 00:17:07,790 ♪ MESSING WITH MY HEAD AND WASTING ALL MY WINE ♪ 286 00:17:07,790 --> 00:17:09,510 ♪ I SEE 'EM MOVING DOWN THE STREET ♪ 287 00:17:09,510 --> 00:17:11,010 - ♪ ASK ANYONE YOU MEET...♪ - ( laughs ) YEAH! 288 00:17:11,010 --> 00:17:12,670 - ( Nacho sighs ) - HEY. 289 00:17:12,670 --> 00:17:14,260 I GOT YOU GUYS SOME BURGERS. 290 00:17:14,260 --> 00:17:17,090 OH, COOL, THANKS. HERE, YOU GUYS WANT SOME? 291 00:17:18,260 --> 00:17:20,100 SO SWEET. 292 00:17:20,100 --> 00:17:22,060 ( laughs ) 293 00:17:22,060 --> 00:17:23,520 DAMN, GIRL. 294 00:17:23,520 --> 00:17:25,810 HEY, I CAN'T HELP IT IF I'M A GOOD SHOT. 295 00:17:27,270 --> 00:17:28,390 OH. ( chuckles ) 296 00:17:29,740 --> 00:17:30,950 WHO'S THAT? 297 00:17:30,950 --> 00:17:32,450 OH, THAT'S ROMY. 298 00:17:32,450 --> 00:17:33,950 WELL, NO, I KNOW THAT. 299 00:17:33,950 --> 00:17:35,400 I JUST... 300 00:17:35,400 --> 00:17:38,950 LIKE, ARE YOU HERE WITH ME? OR... 301 00:17:38,950 --> 00:17:41,580 LOOK, IT WAS COOL THE OTHER NIGHT, 302 00:17:41,580 --> 00:17:43,410 BUT, YOU KNOW, IT'S NOT LIKE WE'RE TOGETHER. 303 00:17:45,160 --> 00:17:47,750 NO, I KNOW. 304 00:17:47,750 --> 00:17:49,550 YOU WANNA GO HIT THE TANK? 305 00:17:51,130 --> 00:17:53,420 - MAYBE LATER. - COOL. 306 00:17:53,420 --> 00:17:54,670 COULD YOU GRAB ME A BEER? 307 00:17:55,630 --> 00:17:56,840 RIGO, YOU'RE UP. 308 00:18:02,020 --> 00:18:03,720 - ( ball clangs ) - Nacho: YEAH! 309 00:18:03,720 --> 00:18:06,020 ( Nacho laughs ) 310 00:18:06,020 --> 00:18:08,350 OH, THAT WAS-- COME ON, NOW. 311 00:18:08,350 --> 00:18:10,570 YOU CAN'T THROW IT LIKE A GIRL. 312 00:18:10,570 --> 00:18:12,570 ( piano music playing ) 313 00:18:13,440 --> 00:18:15,230 THIS IS ACTUALLY PRETTY GOOD. 314 00:18:15,230 --> 00:18:16,490 AND I HATE POETRY. 315 00:18:16,490 --> 00:18:17,730 WELL, LET'S GO AND MEET HER. 316 00:18:17,730 --> 00:18:19,030 AND MAYBE I'LL WORK UP THE NERVE TO TALK 317 00:18:19,030 --> 00:18:21,080 TO ANDREA ASKOWITZ. 318 00:18:21,080 --> 00:18:22,500 KATHRYN KENNISH. 319 00:18:22,500 --> 00:18:24,040 YES. 320 00:18:24,040 --> 00:18:27,160 CHRIS WASHBURN, CHAPTER EIGHT. 321 00:18:27,160 --> 00:18:29,750 OH, HI. HOW ARE YOU DOING? 322 00:18:29,750 --> 00:18:31,550 I'M DOING GOOD. 323 00:18:31,550 --> 00:18:34,420 NOT THE GOLDEN GOD I USED TO BE, YOU FLATTERER. 324 00:18:34,420 --> 00:18:37,750 UH... WELL, YOU KNOW... 325 00:18:37,750 --> 00:18:39,430 YOU KNOW, I WORK IN LEGAL 326 00:18:39,430 --> 00:18:40,930 AND I JUST ABOUT FELL OUT OF MY CHAIR WHEN I SAW 327 00:18:40,930 --> 00:18:42,430 YOUR NAME ON THE NEW RELEASES. 328 00:18:42,430 --> 00:18:44,430 COURSE, YOU'LL ALWAYS BE 329 00:18:44,430 --> 00:18:46,560 KATIE DIXON TO ME. 330 00:18:46,560 --> 00:18:47,720 THAT'S ME. 331 00:18:47,720 --> 00:18:49,730 KATIE DIXON. ( chuckles ) 332 00:18:49,730 --> 00:18:50,860 SO... 333 00:18:50,860 --> 00:18:53,570 YOU WROTE IT EVEN HOTTER THAN I REMEMBERED. 334 00:18:56,070 --> 00:18:59,110 YOU KNOW, WE SHOULD HAVE SNUCK INTO THAT SLEEPER CAR. 335 00:18:59,110 --> 00:19:01,410 IT WOULD HAVE BEEN BETTER THAN THE BATHROOM. 336 00:19:02,700 --> 00:19:05,540 - OH... - IT'S-- IT'S OKAY. 337 00:19:05,540 --> 00:19:07,740 - ( laughs ) - YOUR SECRET'S SAFE WITH ME. 338 00:19:07,740 --> 00:19:11,590 ONCE THESE PEOPLE GET WIND OF A JUICY TIDBIT LIKE THAT-- 339 00:19:11,590 --> 00:19:13,630 ( mimics explosion ) 340 00:19:13,630 --> 00:19:15,170 ( sighs ) 341 00:19:15,170 --> 00:19:17,420 MMM, MMM. 342 00:19:17,420 --> 00:19:19,260 YOU KNOW WHAT, I THINK I NEED TO GO FRESHEN THIS UP. 343 00:19:19,260 --> 00:19:21,140 JUST LET ME GET THAT. 344 00:19:21,140 --> 00:19:22,560 WE HAVE A LOT TO CATCH UP ON. 345 00:19:28,800 --> 00:19:31,520 OH MY GOD. 346 00:19:31,520 --> 00:19:32,730 WHO WAS THAT? 347 00:19:32,730 --> 00:19:34,770 SOME GUY WHO THINKS I WROTE HIM INTO MY BOOK. 348 00:19:34,770 --> 00:19:36,360 DID YOU? 349 00:19:36,360 --> 00:19:37,440 NO. 350 00:19:37,440 --> 00:19:38,900 NOT-- NOT EXACTLY. 351 00:19:38,900 --> 00:19:40,120 BUT KIND OF. 352 00:19:40,120 --> 00:19:42,200 YOU REMEMBER THAT PART 353 00:19:42,200 --> 00:19:45,950 WHERE SHELLY, THE YOUNG WIFE, HAS REVENGE SEX ON A TRAIN 354 00:19:45,950 --> 00:19:47,490 WITH A GUY SHE JUST MET? 355 00:19:52,590 --> 00:19:53,630 HIM? 356 00:19:53,630 --> 00:19:55,590 UH, WELL, IT WASN'T REVENGE SEX... 357 00:19:55,590 --> 00:19:57,130 EXACTLY. 358 00:19:57,130 --> 00:19:59,430 YOU AND THAT GUY? 359 00:19:59,430 --> 00:20:01,100 IN THE BATHROOM. 360 00:20:01,100 --> 00:20:02,600 OF A TRAIN? 361 00:20:02,600 --> 00:20:04,220 I PUT PAPER TOWELS DOWN. 362 00:20:04,220 --> 00:20:07,390 ( sighs ) YOU ARE A WILD WOMAN. 363 00:20:07,390 --> 00:20:08,970 I ONLY DID IT THIS ONE TIME. 364 00:20:08,970 --> 00:20:10,650 IT WAS THE CRAZIEST THING I DID IN MY WHOLE LIFE 365 00:20:10,650 --> 00:20:12,980 AND I NEVER THOUGHT I'D SEE THE GUY AGAIN. 366 00:20:12,980 --> 00:20:14,810 LOOKS LIKE YOU WERE PRETTY UNFORGETTABLE. 367 00:20:14,810 --> 00:20:16,520 I HAVE GOT TO DITCH HIM. 368 00:20:16,520 --> 00:20:18,520 OKAY, COME ON, LET'S GO TALK TO THAT RUSSIAN POET. 369 00:20:18,520 --> 00:20:19,620 THAT OUGHTA SHAKE HIM. 370 00:20:19,620 --> 00:20:21,320 - GOOD IDEA. - ( Regina laughs ) 371 00:20:24,530 --> 00:20:27,320 - ( bell rings ) - ( men laughing ) 372 00:20:32,540 --> 00:20:35,210 IT'S SO FUNNY THAT YOU CAN HEAR IT, BUT I CAN'T. 373 00:20:35,210 --> 00:20:36,710 ( phone buzzes ) 374 00:20:41,760 --> 00:20:44,880 UH, I HAVE TO, UH, MAKE A CALL. I'LL-- 375 00:20:49,850 --> 00:20:51,350 HEY, IT'S YOU. 376 00:20:51,350 --> 00:20:53,350 I DIDN'T THINK YOU WERE-- 377 00:20:53,350 --> 00:20:55,480 SORRY, UM... 378 00:20:55,480 --> 00:20:57,390 DO YOU KNOW WHO I AM? 379 00:20:59,450 --> 00:21:01,490 I KNOW, IT'S WEIRD, RIGHT? 380 00:21:03,990 --> 00:21:06,860 HI, UH, THIS IS BAY KENNISH. I MISSED YOUR CALL. 381 00:21:06,860 --> 00:21:08,900 Woman on phone: Yes, Dr. Larkin would like you to come in tomorrow 382 00:21:08,900 --> 00:21:10,500 to discuss the results of your M.R.I. 383 00:21:10,500 --> 00:21:12,500 UM, OKAY. 384 00:21:12,500 --> 00:21:14,500 CAN I TALK TO DR. LARKIN? IS HE THERE? 385 00:21:14,500 --> 00:21:15,710 Oh, his office is closed, 386 00:21:15,710 --> 00:21:17,040 but if you'd like his voicemail-- 387 00:21:17,040 --> 00:21:19,120 NO, NO, UM... I-- I-- 388 00:21:19,120 --> 00:21:21,090 I WILL BE THERE AT 8:40. 389 00:21:21,090 --> 00:21:22,090 - OKAY. - Bye-bye. 390 00:21:28,590 --> 00:21:30,560 HEY, LOOK I FOUND HIM. 391 00:21:33,690 --> 00:21:35,730 SHE PROBABLY JUST WANTS TO TELL YOU HOW AMAZING YOU ARE 392 00:21:35,730 --> 00:21:37,730 AND HOW SHE BROKE UP WITH HER BOYFRIEND 393 00:21:37,730 --> 00:21:41,280 AFTER SHE READ ALL THE THINGS THAT YOU WROTE TO MANDY 394 00:21:41,280 --> 00:21:44,280 BECAUSE IT FINALLY SHOWED HER WHAT REAL LOVE IS. 395 00:21:44,280 --> 00:21:45,530 DOES THAT HELP? 396 00:21:47,940 --> 00:21:49,030 ( sighs ) 397 00:21:55,540 --> 00:21:56,910 I'M SORRY, I HAVE TO GO. 398 00:22:00,510 --> 00:22:02,550 I'M NOT JEALOUS. I'M JUST... 399 00:22:02,550 --> 00:22:03,670 BEING REALISTIC. 400 00:22:06,800 --> 00:22:09,260 WE DON'T KNOW WHAT'S GONNA HAPPEN. 401 00:22:09,260 --> 00:22:10,640 YOUR LIFE IS GONNA CHANGE 402 00:22:10,640 --> 00:22:12,350 AND WHO KNOWS WHAT'S GONNA HAPPEN TO ME. 403 00:22:20,440 --> 00:22:23,110 YOU'RE RIGHT, I AM LOSING IT, 404 00:22:23,110 --> 00:22:24,320 AND I DON'T WANNA DRAG YOU 405 00:22:24,320 --> 00:22:25,860 INTO WHATEVER IS GOING ON WITH ME, 406 00:22:25,860 --> 00:22:28,900 SO YOU SHOULD GO TO L.A. OR D.C. 407 00:22:28,900 --> 00:22:30,700 AND MEET NEW PEOPLE. 408 00:22:30,700 --> 00:22:32,200 I-- NO, I JUST CAN'T-- 409 00:22:32,200 --> 00:22:34,490 NO, JUST... LET ME GO. 410 00:22:46,260 --> 00:22:47,340 THERE YOU ARE. 411 00:22:48,380 --> 00:22:49,930 I'VE BEEN CARRYING THIS CHABLIS AROUND. 412 00:22:49,930 --> 00:22:51,140 Kathryn: WELL, I WAS JUST, YOU KNOW, 413 00:22:51,140 --> 00:22:54,100 TALKING TO MY FELLOW AUTHORS AND... 414 00:22:54,100 --> 00:22:55,770 RIGHT, GUESS YOU GOTTA WORK THE ROOM. 415 00:22:55,770 --> 00:22:56,970 YEAH. 416 00:22:56,970 --> 00:22:58,140 WELL, WHEN YOU'RE READY TO SHOVE OFF, 417 00:22:58,140 --> 00:23:00,070 I WAS THINKING WE COULD GRAB SOME DINNER, 418 00:23:00,070 --> 00:23:03,020 MAYBE TAKE THE TRAIN DOWNTOWN FOR OLD TIME'S SAKE. 419 00:23:03,020 --> 00:23:05,110 JUST KIDDING. 420 00:23:05,110 --> 00:23:06,940 ( nervous laughter ) 421 00:23:06,940 --> 00:23:09,740 UNLESS YOU'RE UP FOR IT. 422 00:23:09,740 --> 00:23:13,120 ACTUALLY, I, UM-- 423 00:23:13,120 --> 00:23:16,240 I NEED TO ASK REGINA. 424 00:23:16,240 --> 00:23:19,460 YOU LOOK SO TIRED, BABE. 425 00:23:19,460 --> 00:23:21,210 DO YOU WANNA GO BACK TO THE HOTEL? 426 00:23:23,040 --> 00:23:24,750 WE DID BOOK THAT COUPLES MASSAGE. 427 00:23:24,750 --> 00:23:26,960 ( Regina and Kathryn moaning ) 428 00:23:26,960 --> 00:23:28,340 ( giggling ) 429 00:23:28,340 --> 00:23:31,600 I GUESS I BETTER TEND THE HOME FIRES TONIGHT. 430 00:23:31,600 --> 00:23:33,180 WAIT, AREN'T YOU THE OTHER MOM 431 00:23:33,180 --> 00:23:34,430 FROM THE FIRST BOOK? 432 00:23:34,430 --> 00:23:36,140 I AM. 433 00:23:36,140 --> 00:23:37,180 AND YOU TWO... 434 00:23:38,470 --> 00:23:39,480 ( glasses clink ) 435 00:23:41,110 --> 00:23:43,110 OH, THAT'S... MODERN. 436 00:23:43,110 --> 00:23:46,020 I THINK WE BOTH KNOW HOW OPEN-MINDED 437 00:23:46,020 --> 00:23:47,110 KATHRYN CAN BE. 438 00:23:47,110 --> 00:23:49,530 SO LET'S, UM, GET OUR COATS. 439 00:23:49,530 --> 00:23:50,870 OKAY. 440 00:23:52,490 --> 00:23:55,120 DEFINITELY GAVE HIM SOMETHING TO TALK ABOUT. 441 00:23:56,570 --> 00:23:57,570 Lydia: KATHRYN. 442 00:23:58,570 --> 00:24:00,250 OH, UM... 443 00:24:00,250 --> 00:24:01,920 WE'RE JUST ABOUT TO START THE READING. 444 00:24:01,920 --> 00:24:04,710 I GUESS THAT MASSAGE WILL HAVE TO WAIT. 445 00:24:04,710 --> 00:24:06,130 KNOCK 'EM DEAD, HON. 446 00:24:06,130 --> 00:24:07,130 THANKS. 447 00:24:08,130 --> 00:24:09,720 YEAH, COME ON. 448 00:24:14,140 --> 00:24:16,140 ( people chatting ) 449 00:24:17,760 --> 00:24:19,180 YOU SURE YOU DON'T WANT SOME? 450 00:24:19,180 --> 00:24:21,020 IT'S DISGUSTING IN THE BEST WAY. 451 00:24:21,020 --> 00:24:23,360 NOPE, I'M GOOD. 452 00:24:23,360 --> 00:24:25,150 WELL, I ATE SOME CRAP AND I SPENT ALL MY MONEY. 453 00:24:25,150 --> 00:24:26,520 I THINK I'M DONE. 454 00:24:26,520 --> 00:24:27,690 YOU WANT A RIDE HOME? 455 00:24:27,690 --> 00:24:30,700 ( straw gurgles ) NO, I DROVE. 456 00:24:30,700 --> 00:24:32,280 I KNOW. 457 00:24:32,280 --> 00:24:34,240 MAYBE I SHOULD DRIVE YOU HOME. 458 00:24:34,240 --> 00:24:36,700 WHY IS EVERYONE SUCH A DRAG? 459 00:24:36,700 --> 00:24:38,070 ( sighs ) 460 00:24:41,380 --> 00:24:43,620 FINALLY, SOMEBODY WHO WANTS TO PARTY. 461 00:24:55,510 --> 00:24:56,590 COME ON, I'LL GO WITH YOU. 462 00:25:00,140 --> 00:25:01,230 I'LL SEE YOU LATER. 463 00:25:01,230 --> 00:25:02,640 TRY TO HAVE SOME FUN. 464 00:25:06,480 --> 00:25:07,480 HAVE YOU SEEN BAY? 465 00:25:15,150 --> 00:25:16,990 BAY. BAY! 466 00:25:16,990 --> 00:25:18,030 NOT UP FOR IT. 467 00:25:18,030 --> 00:25:19,070 IT'S ABOUT DAPHNE. 468 00:25:19,070 --> 00:25:21,830 SOMETHING'S UP WITH HER. 469 00:25:21,830 --> 00:25:24,250 - NOW WHAT? - SHE'S BEEN DRINKING A LOT 470 00:25:24,250 --> 00:25:25,250 AND SHE WON'T LET ME TAKE HER HOME, 471 00:25:25,250 --> 00:25:26,660 SO I JUST THOUGHT YOU COULD-- 472 00:25:26,660 --> 00:25:28,290 - I DON'T KNOW. - WHERE IS SHE? 473 00:25:28,290 --> 00:25:30,220 SHE JUST GOT ON THE FERRIS WHEEL WITH TRAVIS. 474 00:25:30,220 --> 00:25:32,670 THANKS. 475 00:25:32,670 --> 00:25:34,380 "THAT NIGHT ON THE DIAMOND, 476 00:25:34,380 --> 00:25:37,970 AS 40,000 SPECTATORS WATCHED HIM SCORE, 477 00:25:37,970 --> 00:25:41,640 SHE FELT THE CROWD'S ROAR BREAKING OVER LIKE HER A WAVE, 478 00:25:41,640 --> 00:25:46,020 CARRYING HER UP INTO THE NIGHT LIKE BURNING SPARKS. 479 00:25:46,020 --> 00:25:47,390 SHE COULD NOT WAIT 480 00:25:47,390 --> 00:25:50,320 FOR ANOTHER HOME RUN." 481 00:25:50,320 --> 00:25:52,320 ( applause ) 482 00:25:53,360 --> 00:25:55,240 THANK YOU. THANK YOU. 483 00:25:58,490 --> 00:26:00,410 TRAIN GUY'S STILL HERE. 484 00:26:15,170 --> 00:26:17,630 - WOW. - SERIOUSLY, THAT WAS GREAT. 485 00:26:17,630 --> 00:26:18,970 ( sighs ) 486 00:26:18,970 --> 00:26:20,180 NOT THE KISS, THE READ. 487 00:26:20,180 --> 00:26:22,060 - YOU KNOW WHAT I MEAN. - ( laughs ) YES. 488 00:26:22,060 --> 00:26:25,060 I FEEL LIKE THE GIRL WHO TOOK HER TOP OFF 489 00:26:25,060 --> 00:26:26,060 AT THE DINNER PARTY. 490 00:26:26,060 --> 00:26:28,180 GREAT JOB. 491 00:26:28,180 --> 00:26:29,520 OH, I LOVED IT. 492 00:26:29,520 --> 00:26:33,030 AND APPARENTLY, SO DID ANDREA ASKOWITZ. 493 00:26:33,030 --> 00:26:35,570 I JUST GOT WORD SHE WANTS TO MEET YOU. 494 00:26:35,570 --> 00:26:36,690 - ME? - YEAH. 495 00:26:36,690 --> 00:26:39,700 - WHY? - BECAUSE YOU'RE AWESOME. 496 00:26:39,700 --> 00:26:41,870 YOU SHOULD PROBABLY GO WITH HER. 497 00:26:41,870 --> 00:26:44,200 THERE IS A WHOLE LITTLE BUZZ ABOUT YOU TWO, 498 00:26:44,200 --> 00:26:46,000 AND I DON'T NEED TO KNOW WHAT IT IS 499 00:26:46,000 --> 00:26:50,010 BUT JUST GET OVER THERE AND STOKE THE MYSTERY. 500 00:26:50,010 --> 00:26:51,920 AH. 501 00:26:51,920 --> 00:26:53,920 ( carnival music playing ) 502 00:27:32,250 --> 00:27:34,250 ( pop music playing ) 503 00:27:37,250 --> 00:27:39,250 ( woman vocalizing ) 504 00:27:58,230 --> 00:28:00,280 OH MY GOD. 505 00:28:00,280 --> 00:28:01,990 IS SHE MAKING OUT WITH TRAVIS? 506 00:28:01,990 --> 00:28:04,410 I TOLD YOU, SHE'S OUT OF CONTROL. 507 00:28:19,170 --> 00:28:22,100 ♪ GOOD GIRLS ... DO BAD THINGS SOMETIMES ♪ 508 00:28:29,180 --> 00:28:30,900 HEY, WHAT THE HELL WAS THAT? 509 00:28:31,940 --> 00:28:32,940 BACK OFF. 510 00:28:32,940 --> 00:28:34,650 MARY BETH IS MY FRIEND, 511 00:28:34,650 --> 00:28:36,110 SO NO, I'M NOT GONNA BACK OFF. 512 00:28:36,110 --> 00:28:37,850 WHAT, YOUR THUG WASN'T ENOUGH FOR YOU? 513 00:28:37,850 --> 00:28:39,820 YEAH, THAT'S NOT RACIST. 514 00:28:39,820 --> 00:28:41,990 AND YOU USING THAT GUY LIKE A PROP 515 00:28:41,990 --> 00:28:44,700 TO PISS OFF REGINA, THAT'S NOT RACIST EITHER? 516 00:28:44,700 --> 00:28:46,660 LOOK, THIS HAS NOTHING TO DO WITH YOU. 517 00:28:46,660 --> 00:28:47,740 JUST STAY OUT OF IT. 518 00:28:47,740 --> 00:28:49,240 YOU PUNISHING MY MOTHER 519 00:28:49,240 --> 00:28:52,210 FOR MY FATHER DYING HAS NOTHING TO DO WITH ME? 520 00:28:52,210 --> 00:28:53,960 THIS IS BETWEEN ME AND REGINA. 521 00:28:53,960 --> 00:28:55,080 NO, IT'S NOT! 522 00:28:55,080 --> 00:28:56,540 WE ARE ALL IN THIS, OKAY? 523 00:28:56,540 --> 00:28:59,840 AND WE ARE ALL GETTING TIRED OF YOU LASHING OUT AT HER. 524 00:28:59,840 --> 00:29:01,800 SORRY IF I'M NOT GETTING BACK TO GRILL NIGHT 525 00:29:01,800 --> 00:29:02,970 FAST ENOUGH FOR YOU. 526 00:29:02,970 --> 00:29:04,470 YOU KNOW WHAT, YOU ARE NOT THE ONLY ONE 527 00:29:04,470 --> 00:29:07,430 GOING THROUGH STUFF, SO STOP ACTING LIKE A LITTLE BRAT. 528 00:29:16,100 --> 00:29:18,770 EXACTLY. EXACTLY. 529 00:29:19,820 --> 00:29:21,700 EXCUSE ME, MS. ASKOWITZ? 530 00:29:21,700 --> 00:29:23,360 - UH-HUH? - I'M KATHRYN KENNISH 531 00:29:23,360 --> 00:29:25,990 AND IT IS AN HONOR TO MEET YOU. 532 00:29:25,990 --> 00:29:27,780 OH, HELLO. 533 00:29:27,780 --> 00:29:30,120 RIGHT, SIT DOWN, PLEASE. 534 00:29:30,120 --> 00:29:31,120 GO. 535 00:29:31,120 --> 00:29:32,410 ( whispers ) I'M SORRY. 536 00:29:36,290 --> 00:29:38,870 - ( clears throat ) - ( sighs heavily ) 537 00:29:38,870 --> 00:29:40,970 KATHRYN LOVED YOUR MEMOIR ABOUT YOUR MOTHER. 538 00:29:40,970 --> 00:29:43,010 - OH. - Kathryn: "BATTLE AXE" 539 00:29:43,010 --> 00:29:45,010 WAS SO SMART AND FUNNY 540 00:29:45,010 --> 00:29:48,920 AND SO SADLY RELATABLE. 541 00:29:48,920 --> 00:29:50,140 I MEAN, NOT THAT YOUR MOM WAS SAD-- 542 00:29:50,140 --> 00:29:51,810 TRUST ME, SHE WAS SAD. 543 00:29:51,810 --> 00:29:53,730 - ( laughs ) - ( nervous chuckles ) 544 00:29:53,730 --> 00:29:56,690 OH, I'M SO SORRY. THIS IS REGINA VASQUEZ. 545 00:29:56,690 --> 00:30:00,530 I WANTED TO TELL YOU HOW MUCH I ENJOYED "BATTER UP." 546 00:30:00,530 --> 00:30:01,940 - YOU READ IT? - MM-HMM. 547 00:30:01,940 --> 00:30:04,280 WHAT I WANTED TO ASK YOU IS IF I COULD INCLUDE IT 548 00:30:04,280 --> 00:30:05,820 IN MY NEXT SYLLABUS. 549 00:30:05,820 --> 00:30:08,820 I DO A SEMINAR ON JANE AUSTEN IN POPULAR CONTEXT. 550 00:30:08,820 --> 00:30:10,910 WAIT A SECOND, DID YOU JUST SAY JANE AUSTEN 551 00:30:10,910 --> 00:30:13,580 AND "BATTER UP" IN THE SAME SENTENCE? 552 00:30:13,580 --> 00:30:15,000 MM-HMM, I THINK THERE'S 553 00:30:15,000 --> 00:30:19,000 SOME REALLY PLAYFUL PARALLELS BETWEEN REGENCY ENGLAND 554 00:30:19,000 --> 00:30:22,300 AND ALL THAT ENCODED, GENDER-SPECIFIC STUFF 555 00:30:22,300 --> 00:30:24,010 THAT YOU WRITE ABOUT IN PRO ATHLETICS. 556 00:30:24,010 --> 00:30:25,550 PLUS YOUR BOOK'S HOT, 557 00:30:25,550 --> 00:30:27,340 SO THE UNDERGRADS WILL ACTUALLY READ IT. 558 00:30:27,340 --> 00:30:28,880 ( laughs ) 559 00:30:31,020 --> 00:30:33,310 THANKS FOR COMING ALL THIS WAY. 560 00:30:33,310 --> 00:30:34,890 IT'S OKAY. 561 00:30:34,890 --> 00:30:36,810 MY AUNT CAN COME PICK ME UP. 562 00:30:43,110 --> 00:30:45,820 YOU OKAY? 563 00:30:45,820 --> 00:30:47,690 HOW DO YOU DEAL WITH IT? 564 00:30:47,690 --> 00:30:50,790 WITH YOUR MOM AND EVERYTHING SHE'S DONE TO YOU? 565 00:30:52,370 --> 00:30:56,700 I GUESS I JUST TELL MYSELF SHE'S NOT REALLY MY MOM. 566 00:30:56,700 --> 00:30:58,950 MY MOM TOOK CARE OF ME WHEN I WAS LITTLE-- 567 00:30:58,950 --> 00:31:01,960 THREW ME BIRTHDAY PARTIES, 568 00:31:01,960 --> 00:31:03,300 SANG LIONEL RITCHIE TO TORTURE ME. 569 00:31:06,920 --> 00:31:09,300 SO YOU FORGIVE HER? 570 00:31:11,680 --> 00:31:14,510 IT'S MORE LIKE I WAIT FOR HER TO COME BACK. 571 00:31:19,940 --> 00:31:22,940 I DON'T KNOW WHO MY MOM IS ANYMORE. 572 00:31:22,940 --> 00:31:25,900 ( sobbing ) ANYWAY, THANKS FOR THE RIDE. 573 00:31:29,150 --> 00:31:30,160 HEY. 574 00:31:30,160 --> 00:31:31,410 HERE. 575 00:31:33,790 --> 00:31:35,990 I KNOW YOU GOT A LOT GOING ON, 576 00:31:35,990 --> 00:31:38,870 BUT IF YOU NEED SOMETHING, YOU LET ME KNOW, OKAY? 577 00:31:40,250 --> 00:31:42,380 YEAH. 578 00:31:42,380 --> 00:31:43,840 I'LL SEE YOU LATER. 579 00:31:53,350 --> 00:31:54,810 SCORE! 580 00:31:54,810 --> 00:31:55,970 I MADE FRIENDS WITH THE CATERER. 581 00:31:55,970 --> 00:31:57,260 AH-HA! 582 00:31:57,260 --> 00:31:58,970 YOU KNOW WHAT? THIS IS CRAZY. PEOPLE ARE TWEETING 583 00:31:58,970 --> 00:32:02,110 ABOUT MY OPEN MARRIAGE. 584 00:32:02,110 --> 00:32:05,440 CHRIS WASHBURN. WHAT WAS I THINKING? 585 00:32:05,440 --> 00:32:09,060 YOU KNOW, UM, I SLEPT WITH ANGELO 586 00:32:09,060 --> 00:32:10,740 THE FIRST DAY I MET HIM. 587 00:32:10,740 --> 00:32:12,200 BUT THEN AGAIN, WHO DIDN'T? 588 00:32:12,200 --> 00:32:14,200 ( both laughing ) 589 00:32:17,830 --> 00:32:19,830 ( laughing continues ) 590 00:32:28,210 --> 00:32:30,220 ( sighs ) 591 00:32:30,220 --> 00:32:32,680 THAT'S THE FIRST TIME I'VE LAUGHED SINCE... 592 00:32:34,140 --> 00:32:35,510 YOU'RE ALLOWED. 593 00:32:35,510 --> 00:32:39,140 ( breathes deeply ) THANK YOU FOR THIS. 594 00:32:39,140 --> 00:32:40,810 I REALLY NEEDED IT. 595 00:32:42,900 --> 00:32:44,190 YOU'RE GONNA BE OKAY. 596 00:32:44,190 --> 00:32:46,560 I DON'T THINK SO. 597 00:32:46,560 --> 00:32:47,900 DAPHNE HATES ME. 598 00:32:47,900 --> 00:32:50,610 NO, SHE DOESN'T. 599 00:32:50,610 --> 00:32:53,530 IT'S JUST EASIER FOR DAPHNE TO BLAME YOU 600 00:32:53,530 --> 00:32:54,820 THAN TO DEAL WITH HOW RANDOM 601 00:32:54,820 --> 00:32:57,240 AND CRUEL IT WAS. 602 00:32:57,240 --> 00:32:58,990 WELL, IT SUCKS. 603 00:32:58,990 --> 00:33:01,540 PART OF BEING A MOM. 604 00:33:01,540 --> 00:33:02,790 YOU GIVE 'EM EVERYTHING, 605 00:33:02,790 --> 00:33:06,290 THEY WRITE A BOOK ABOUT YOU CALLED "BATTLE AXE." 606 00:33:06,290 --> 00:33:09,920 I JUST WANNA GET BACK TO SOME KIND OF NORMAL. 607 00:33:09,920 --> 00:33:11,930 AND IF IT TAKES GIVING THAT MONEY BACK-- 608 00:33:11,930 --> 00:33:13,300 WHOA. 609 00:33:13,300 --> 00:33:15,890 THAT MONEY IS YOUR TICKET TO INDEPENDENCE. 610 00:33:15,890 --> 00:33:18,260 PAY OFF ALL YOUR DEBTS, 611 00:33:18,260 --> 00:33:20,850 PUT MOST OF IT AWAY AND THEN DO SOMETHING 612 00:33:20,850 --> 00:33:23,600 THAT MAKES YOU AND DAPHNE HAPPY. 613 00:33:27,020 --> 00:33:29,190 YEAH. 614 00:33:29,190 --> 00:33:31,950 BAY, THANKS FOR COMING IN. 615 00:33:31,950 --> 00:33:33,910 WELL, YOU KNOW, POSSIBLE MORTALITY-- 616 00:33:33,910 --> 00:33:34,990 THOUGHT I'D MAKE TIME FOR IT. 617 00:33:34,990 --> 00:33:36,910 I DIDN'T MEAN TO ALARM YOU. 618 00:33:36,910 --> 00:33:39,450 I JUST FIND IT BEST TO GO OVER EVERYTHING IN PERSON. 619 00:33:42,750 --> 00:33:43,920 SO... 620 00:33:43,920 --> 00:33:44,960 SO... 621 00:33:44,960 --> 00:33:46,790 YOUR M.R.I. CAME BACK NEGATIVE. 622 00:33:46,790 --> 00:33:49,790 WE FOUND NO PRESENCE OF ANEURYSMS AT THIS TIME. 623 00:33:49,790 --> 00:33:52,010 SO I'M GONNA BE OKAY. THAT'S IT? 624 00:33:52,010 --> 00:33:53,970 YOU SHOULD JUST FOCUS ON LIVING YOUR LIFE 625 00:33:53,970 --> 00:33:56,510 - AND STAY AWAY FROM THE INTERNET. - ( laughs ) 626 00:33:59,010 --> 00:34:01,020 I FEEL LIKE YOU GAVE ME MY LIFE BACK. 627 00:34:02,850 --> 00:34:05,140 THANK YOU. 628 00:34:05,140 --> 00:34:06,140 TAKE CARE. 629 00:34:15,490 --> 00:34:16,740 HEY! 630 00:34:16,740 --> 00:34:17,820 HEY! 631 00:34:17,820 --> 00:34:19,610 WELCOME HOME. 632 00:34:19,610 --> 00:34:21,290 OH, SOMETHING SMELLS GOOD. 633 00:34:21,290 --> 00:34:22,960 YEAH, WHERE'S REGINA? 634 00:34:22,960 --> 00:34:24,660 UH, I THINK SHE WENT UPSTAIRS. 635 00:34:24,660 --> 00:34:26,910 OH, I THOUGHT WE'D ALL BE HAVING JAMBALAYA TOGETHER 636 00:34:26,910 --> 00:34:29,790 BECAUSE ACCORDING TO BOOKLOVER69 ON YOUR WEBSITE, 637 00:34:29,790 --> 00:34:31,550 THAT'S PRETTY MUCH ALL WE DO 638 00:34:31,550 --> 00:34:33,090 AROUND HERE ALL DAY LONG. 639 00:34:33,090 --> 00:34:34,800 MAKE JAMBALAYA? 640 00:34:34,800 --> 00:34:36,050 I THINK IT'S A EUPHEMISM. 641 00:34:36,050 --> 00:34:37,210 WHAT THE... 642 00:34:37,210 --> 00:34:39,170 HECK WERE YOU DOING OUT THERE? 643 00:34:39,170 --> 00:34:41,350 UGH, IT WAS JUST SOME CRAZY RUMOR 644 00:34:41,350 --> 00:34:42,600 ABOUT REGINA AND I. 645 00:34:42,600 --> 00:34:43,850 I DON'T KNOW HOW IT STARTED, 646 00:34:43,850 --> 00:34:45,810 BUT LYDIA SAID TO GO WITH IT. 647 00:34:45,810 --> 00:34:47,600 I GET IT. MM-HMM. 648 00:34:47,600 --> 00:34:49,600 WHATEVER IT TAKES TO GET IN THE CLUB, RIGHT? 649 00:34:49,600 --> 00:34:51,730 YEAH, BUT, HONEY, HERE'S THE THING. 650 00:34:51,730 --> 00:34:53,690 I WAS IN THE CLUB, 651 00:34:53,690 --> 00:34:55,530 AND NOT JUST 'CAUSE OF SOME CRAZY RUMOR 652 00:34:55,530 --> 00:34:56,940 BUT BECAUSE OF MY BOOK. 653 00:34:56,940 --> 00:34:59,530 SMART, FANCY PEOPLE ACTUALLY LIKED IT. 654 00:34:59,530 --> 00:35:01,540 OF COURSE THEY DID, I'M NOT SURPRISED. 655 00:35:01,540 --> 00:35:04,240 ANDREA ASKOWITZ WANTS TO USE IT IN HER SEMINAR 656 00:35:04,240 --> 00:35:05,830 ON JANE AUSTEN. 657 00:35:05,830 --> 00:35:07,120 CAN YOU BELIEVE THAT? 658 00:35:07,120 --> 00:35:09,200 WOW. 659 00:35:09,200 --> 00:35:11,050 YOU DON'T KNOW WHO SHE IS. 660 00:35:11,050 --> 00:35:12,670 I'VE HEARD OF JANE AUSTEN. 661 00:35:12,670 --> 00:35:13,960 ( both chuckle ) 662 00:35:13,960 --> 00:35:16,670 I JUST LOVE THE FEELING. I DON'T KNOW, LIKE... 663 00:35:16,670 --> 00:35:18,880 I WASN'T... JUST THE CHEERLEADER. 664 00:35:18,880 --> 00:35:21,890 HONEY, YOU'VE ALWAYS BEEN MORE THAN JUST THE CHEERLEADER. 665 00:35:21,890 --> 00:35:23,560 WHAT ARE YOU TALKING ABOUT? 666 00:35:23,560 --> 00:35:25,760 I JUST DEEPLY REGRET 667 00:35:25,760 --> 00:35:28,640 THE FACT THAT I'VE NEVER SEEN YOU IN YOUR UNIFORM. 668 00:35:28,640 --> 00:35:31,070 DON'T GET ANY IDEAS. 669 00:35:31,070 --> 00:35:33,860 OH, I HEAR YOU'RE OPEN TO ALL KINDS OF NEW IDEAS. 670 00:35:35,030 --> 00:35:37,030 OH MY GOD. 671 00:35:38,110 --> 00:35:39,110 ( door closes ) 672 00:38:26,860 --> 00:38:30,150 ( sighs ) I'M SORRY TO BUG YOU AT WORK. 673 00:38:34,790 --> 00:38:36,080 ( sighs ) 674 00:38:38,830 --> 00:38:41,590 IT'S BEEN A CRAZY TIME, 675 00:38:41,590 --> 00:38:44,880 BUT I THINK I GOT SOME... 676 00:38:44,880 --> 00:38:48,010 CLARITY. 677 00:38:48,010 --> 00:38:49,220 I LOVE THAT SIGN. 678 00:38:52,680 --> 00:38:55,520 YOU SHOULD GO TO U.S.C. 679 00:38:55,520 --> 00:38:59,430 AND I KNOW THAT IT'S EXPENSIVE AND FAR AWAY, BUT... 680 00:39:00,530 --> 00:39:01,980 YOU HAVE TO GO... 681 00:39:05,070 --> 00:39:07,690 AND I SHOULD COME WITH YOU. 682 00:39:11,950 --> 00:39:15,200 MY PARENTS HAVE BEEN BUGGING ME FOR A PLAN, 683 00:39:15,200 --> 00:39:17,950 NOW I HAVE ONE-- YOURS. 684 00:39:22,920 --> 00:39:26,500 I WANNA BE WITH YOU AND I DON'T WANNA WAIT. 685 00:39:26,500 --> 00:39:29,840 YOU ARE GONNA BE AN AMAZING FILMMAKER. 686 00:39:29,840 --> 00:39:32,600 AND I AM GONNA BE A... 687 00:39:32,600 --> 00:39:36,510 PERSON WITH NO IDEA WHAT SHE WANTS TO DO. 688 00:39:50,660 --> 00:39:52,030 HEY. 689 00:39:52,030 --> 00:39:54,660 I, UM, GOT YOU YOUR FAVORITE. 690 00:39:59,580 --> 00:40:01,000 CAN I TALK TO YOU FOR A MINUTE? 691 00:40:02,670 --> 00:40:04,340 I'M KINDA BUSY. 692 00:40:07,540 --> 00:40:09,590 I THOUGHT ABOUT WHAT YOU SAID, 693 00:40:09,590 --> 00:40:12,550 HOW YOU FELT ABOUT ANGELO'S INSURANCE SETTLEMENT, 694 00:40:12,550 --> 00:40:16,890 AND I WAS THINKING THAT MAYBE WE COULD 695 00:40:16,890 --> 00:40:20,520 USE SOME OF IT TO HELP GET MELODY'S NEW PROGRAM OFF THE GROUND. 696 00:40:25,480 --> 00:40:26,650 WHAT PROGRAM? 697 00:40:26,650 --> 00:40:31,330 A NEW DEAF STUDIES DEPARTMENT AT U.M.K.C. 698 00:40:31,330 --> 00:40:33,620 THROUGH GALLAUDET. 699 00:40:33,620 --> 00:40:35,160 I DIDN'T KNOW ABOUT THAT. 700 00:40:37,280 --> 00:40:40,840 AND WE COULD NAME IT AFTER ANGELO. 701 00:40:45,580 --> 00:40:47,670 THAT COULD BE COOL. 702 00:40:47,670 --> 00:40:50,420 AND I WAS THINKING THAT, YOU KNOW, 703 00:40:50,420 --> 00:40:52,890 MAYBE WE COULD GO ON A ROAD TRIP THIS SUMMER-- 704 00:40:52,890 --> 00:40:56,140 GRAND CANYON, LAS VEGAS-- 705 00:40:56,140 --> 00:40:58,090 ANYWHERE YOU WANT. 706 00:40:58,090 --> 00:41:00,050 YOU, ME AND BAY, TOO. 707 00:41:00,050 --> 00:41:02,020 OR JUST US TWO. 708 00:41:03,520 --> 00:41:04,940 I DON'T THINK SO. 709 00:41:04,940 --> 00:41:06,560 WHY NOT? 710 00:41:06,560 --> 00:41:09,860 JUST BECAUSE YOU GIVE MONEY TO MELODY 711 00:41:09,860 --> 00:41:12,450 DOESN'T CHANGE THINGS BETWEEN US. 712 00:41:12,450 --> 00:41:13,820 ANGELO IS STILL DEAD. 713 00:41:13,820 --> 00:41:16,820 HOW MUCH LONGER IS THIS GONNA GO ON? 714 00:41:16,820 --> 00:41:18,740 BECAUSE I'M NOT SURE I CAN TAKE IT. 715 00:41:20,830 --> 00:41:23,710 YOU CAN'T TAKE IT? 716 00:41:23,710 --> 00:41:25,580 DAPHNE... 717 00:41:25,580 --> 00:41:27,540 I DID NOT KILL ANGELO. 718 00:41:27,540 --> 00:41:30,890 WE HAD AN ARGUMENT. PEOPLE ARGUE. 719 00:41:30,890 --> 00:41:33,840 I WAS THERE. I KNOW WHAT YOU SAID. 720 00:41:33,840 --> 00:41:36,590 DO YOU HONESTLY THINK I WANTED HIM TO DRIVE OFF 721 00:41:36,590 --> 00:41:38,300 AND HAVE AN ACCIDENT? 722 00:41:38,300 --> 00:41:40,260 I AM SUFFERING JUST AS MUCH AS YOU ARE. 723 00:41:40,260 --> 00:41:41,560 ARE YOU? 724 00:41:41,560 --> 00:41:43,520 BECAUSE ALL I SEE IS YOU WORKING 725 00:41:43,520 --> 00:41:46,810 WITH CHIP COTO AND LYING TO ME 726 00:41:46,810 --> 00:41:48,770 AND TAKING ALL OF THIS MONEY. 727 00:41:48,770 --> 00:41:49,850 HOW DID I LIE TO YOU? 728 00:41:49,850 --> 00:41:51,530 YOU'VE ALWAYS LIED TO ME-- 729 00:41:51,530 --> 00:41:53,320 EVER SINCE YOU FOUND OUT ABOUT THE SWITCH 730 00:41:53,320 --> 00:41:54,490 AND DIDN'T TELL ME. 731 00:41:54,490 --> 00:41:56,700 OH MY GOD, ARE WE BACK TO THIS AGAIN? 732 00:41:58,030 --> 00:42:00,620 YOU KNOW WHAT? NO, IT'S GOOD, 733 00:42:00,620 --> 00:42:04,370 BECAUSE FINALLY I CAN SEE YOU FOR WHO YOU REALLY ARE. 734 00:42:05,710 --> 00:42:07,500 YOU'RE NOT MY MOTHER. 735 00:42:07,500 --> 00:42:10,500 YOU HAVE NEVER BEEN MY MOTHER. 736 00:42:10,500 --> 00:42:11,510 ( crying ) 737 00:42:14,340 --> 00:42:16,800 ♪ I CAN'T SEE A SINGLE FACE ♪ 738 00:42:16,800 --> 00:42:20,600 ♪ OR A WORTHY SELF ♪ 739 00:42:22,390 --> 00:42:25,140 ♪ EVERYBODY HERE'S TOO FAR ♪ 740 00:42:25,140 --> 00:42:30,650 ♪ UP EVERYONE ELSE ♪ 741 00:42:30,650 --> 00:42:32,360 ♪ WHEN YOU FIND THE TRUTH ♪ 742 00:42:32,360 --> 00:42:33,450 ♪ CUT IT OUT ♪ 743 00:42:33,450 --> 00:42:38,820 ♪ WITH A RAZOR BLADE ♪ 744 00:42:38,820 --> 00:42:40,490 ♪ WHEN YOU DISTRIBUTE ♪ 745 00:42:40,490 --> 00:42:41,700 ♪ CHOOSE YOUR VOICE ♪ 746 00:42:41,700 --> 00:42:44,000 ♪ LIKE A HAND GRENADE... ♪